action at a distance is a bewitching tangle of motors and pulleys, zigzags of rope,
jangling bells, breath activators, and rough steel. Small gestures made by visitors are amplified
and transmitted via motors and twine, repurposed as the drivers of small dramas tucked into corners
Every part of the elaborate system is connected to many others. While the connections are real,
physical connections, the density of the twine and awkwardness of the space make them difficult to
perceive. Each of the three breath activators is connected to at least two small animal systems.
They are arranged so that the person puffing on a breath activator can not easily see the result of
their action. Energy from the breath activators is transmitted to the animal systems, briefly
disturbing them. The animal systems are: otter theater, sand crab, birdhouse, bug box, fireflies,
and diabetic cat.
Despite years of practice I have gotten no better at predicting the results of my actions. I
attibute this partly to the thickness of my skull, and partly to the irreducible complexity of the
world. I am constantly trying to navigate the space between paralyzing analysis of every possible
move and blithe disregard for the consequences of my actions. I am a terrible navigator.
action at a distance was presented at the University at Buffalo Art Gallery in the spring of
2008 in a solo show curated by Sandra Firmin. It is a companion piece to
everything, all at once.
Thanks to Sandra Q. Firmin, Sandra Olsen, Patrick Robideau, and the UB Art Gallery Staff, Ken Short
and Ben Court, Shadi Nazarian, J.T. Rinker, Jon Kessler, Larry Polansky, LoVid, The Columbia
University Computer Music Center and School of the Arts, and always, Amy Benson.
photos by Nancy J. Parisi
UB Art Gallery video
by Kerri Kieser
catalog (5MB pdf)